Amos Rex’s bulging underground galleries create playful landscape in Helsinki plaza

JKMM Architects designed a series of domed subterranean halls for the soon-to-open Amos Rex museum in Helsinki, which bubble up through the field to create a lively outdoor landscape.

The Helsinki-based rehearsal rehabilitated Lasipalatsi, a functionalist 1930 s building in the Finnish fund, to accommodate a brand-new dwelling for the former Amos Anderson Art Museum , now called Amos Rex.

Amos Rex by JKMM Architects

Lasipalatsi, which approximately converts as glass palace, is one of the best saved a few examples of 1930 s functionalist structure in Finland. It was constructed in 1936 in preparation for the Olympics, which were deferred but eventually came to Helsinki in 1952.

Amos Anderson Art Museum choice the building for its brand-new dwelling, as it has been an increase out of its onetime propositions in a adjacent proselytized newspaper departments. But the strcuture was not suited to housing modern art.

“Could the building be converted into a new art museum? No. It could not be possible, ” said Amos Rex director Kai Kartio.

Amos Rex by JKMM Architects

As the city plan would not allow an extension to the building above grind, the museum and JKMM developed a plan to extend the building beneath its court, which was formerly used as a bus station.

Over 2,200 sq. metres of hall space was created in a series of domed rooms underground. The structural domes spread into the square above, and are punctuated with angled projected skylights to create a uniquely molded public space.

Amos Rex by JKMM Architects

“Due to contriving constraints on the website, the brand-new rooms for the skill museum had to be built subterranean, but the building still needed to be present in an metropolitan situation, ” Asmo Jaaksi founding spouse at JKMM Architects told Dezeen.

“The architecture of these words grants the square a new identity.”

Amos Rex by JKMM Architects

These estimates give the new hall spaces a proximity in the city, which will help to attract people into the underground gallery room below said Jaaksi.

“The definite appearance of the domes within the metropolitan realm hint at what can be discovered below, ” he said.

“In the exhibition gaps, these same influences are conspicuous in the ceiling and accommodate strategically made views to the streetscape. This appoints a holistic knowledge for the visitor who still has a sense of being connected to the smothering city whilst underground.”

Amos Rex by JKMM Architects

The largest of the domes contains the artistry museum’s principle gallery seat, which will be used to accommodate large scale works of art such as TeamLab’s opening digital installation.

Two other domes enclose a secondary hall infinite and Amos Rex’s vast art education room.

Amos Rex by JKMM Architects

The underground gallery seats are accessed from the foyer of Lasipalatsi, with stairs leading to a white-hot entrance hall that is light from above by two farther angled skylights.

One of these skylights frames a belief of a staircase leading up the two sides of the building.

Amos Rex by JKMM Architects

Along one feature of this admittance space is a cloakroom, while the gallery gaps and education chamber are accessed from the other side.

Below this flooring is a lower basement stage that will be used to store artworks that are not on display in the museum.

Amos Rex by JKMM Architects

The Lasipalatsi itself, in particular the 590 -seat cinema, has been fully regenerated by JKAA as part of the project. This 1930 s cinema, called Bio Rex, plied half of the identify Amos Rex.

The rest of the building that smothers the square contains browses and diners. This square will host a programme of outdoor contests to support the gallery.

Amos Rex by JKMM Architects

“[ We hope beings use the square] in as countless access as possible by filling the square freely, perhaps staging spontaneous happenings and even acquainting brand-new types of metropoli culture, ” said Jaaksi.

“The most important thing for us is that, as a public cavity, the square will allure lots of people and be full of life.”

Other art galleries that have reworked in the past time involving the Royal Academy of Arts in London, which was revamped and extended by David Chipperfield, and the OM-Adesigned Fondazione Prada in Milan, which opened a new hall tower.

Photography is by Tuomas Uusheimo.

Project credits 😛 TAGEND

Architect: JKMM Architects Client: Foreningen Konstsamfundet, The Amos Anderson Art Museum and the City of Helsinki Project administration: Haahtela-rakennuttaminen Oy Structural scheme: Sipti Oy Structural designing of the domes: Sweco Rakennetekniikka Oy HVAC engineering: Ramboll Talotekniikka Oy Electrical engineering: Ramboll Talotekniikka Oy Acoustics and sound proofing: Ins.tsto Heikki Helimaki Oy/ Helimaki Akustikot Fire consultant: L2 Paloturvallisuus Oy

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